There are some differences, of course. My camera has been a Bessa R2A. I’ve been using only that camera with a 50mm prime lens since January 2007. The Bessa is like a cheaper version of a Leica. Most of the points that Mike mentions in the second post apply to the Bessa too.

Certainly, I haven’t been as prolific as Mike suggests. Much has happened in my life since then and other interests have sometimes taken priority in spare time. As of today I have 362 photos on Flickr taken with this camera and lens pair. That’s an average of about three selected photos per week, although in reality there were bursts of activity when I was on vacation. About half of those photos are B&W. I typically haven’t thought in terms of color unless it felt quite essential, and have preferred B&W film for the most part.

The gist of the matter is that this is a really good exercise. In the end, like Mike says,

Because make no mistake, photographing the way I suggested in the previous post is the photographic equivalent of being a top athlete: it takes dedication and coordination and talent and time and sacrifice and lots of training.

This gels with what Malcolm Gladwell has written in Outliers and with my own experience. What matters most is that you put a lot of time and effort into it. The constraints Mike suggests help to make the exercise even more focused, pun unintended. It’s definitely not the only exercise out there but I sincerely believe that if you were to do this, it would greatly benefit your photographic eye. I can surely feel it and perhaps my photography shows it.

When I started using my Bessa, I dumped my DSLR and haven’t missed it since. Having said that, I think I’m getting weary of having a film based workflow as my primary one. I’m still hoping that a nice digital rangefinder will come along or that I will find it reasonable to invest in a Leica M8. Until then I may try the new Sigma DP2. It looks quite promising. I’ll keep an eye out for the news and reviews and look at photos from it for a couple of months before deciding.

Late last year, Liz and I traveled to Asia. We visited her Nepalese home near Kathmandu, had our second wedding of the year in New Delhi and then went to Bali for our honeymoon. That’s a whole ‘nother blog post that one of us will eventually write on our blog. Oh, but the pictures are ready to go in my Asia 2008 collection on Flickr.

Our first trip this year was during the last week of April. Liz and I went on a road trip in the Colorado plateau area. We flew in to Las Vegas and drove to Grand Canyon, Monument Valley, Bryce Canyon and Zion National Park. It was an amazing set of places to see with wondrous natural landscapes; the product of water, stone and time. We spent four nights camping and three in hotels. An exploration of that trip will also be in our blog soon, I promise! Once again, the photos are ready

These two trips have been my primary outlet in taking photos over the past several months. I’m quite happy with the resulting pictures. I am, however, starting to feel tired of using film and the related workflow and cost. I hope I can make the transition to a decent digital rangefinder sometime over the next year or so although I will have to save up for one of those!

Tomorrow Liz and I will be going to Bend in central Oregon for this Memorial Day weekend and I’m hoping to explore new places and take a bunch of more photos. So, stay tuned for those!

I have a couple more ideas for blog posts so hopefully the next one will be sooner rather than later. In the meanwhile, feel free to follow along at @samgrover where I can be found posting much more frequently.

I bought it along with a 50mm Nokton f/1.5 lens and an adapter. The camera has an M mount, whereas the lens is a screw mount, so I needed an adapter. My plan was that if I liked this enough I could get an M mount Leica lens in the future and it would fit just fine with the camera. I still plan on doing that. Perhaps a 35mm lens, but more on that later. I bought this Bessa at CameraQuest, a website that I haven’t visited since then. I never planned on buying more of this system and I never had any issues.

My early experience with a rangefinder camera was in 2006 when I borrowed a Canonet QL17 G-III from my friend Doug. At the end of that month I was hooked and understood why the rangefinder is the best camera for street photography. A sentiment expressed by many a famous street photographers of the last century. My favorite part about a rangefinder is that since I can see the frame lines, I can see the things that I’m not including in the frame. You can never do that with an SLR. That allows me to frame the shot best, especially on the street when I have only a fraction of a second to frame and shoot a photo. I don’t have to worry about focusing because I pre-focus and set a high depth-of-field. When I bring the camera to my eye, all I have to do is frame and click. And I love it when the camera goes “click”. The Bessa has a quick sharp sound that is barely noticeable as compared to the extended louder sound of the DSLR.

Another characteristic of the rangefinder is that you can see the photo at the moment of exposure, while in the SLR you just see nothing. As a result, at the beginning, my timing was a bit off with this camera, but not only did I get used to it, I started to love it. Most of the time I take a photo, I just click one frame. No second chance. So it helps to know if I got what I was going for, even though the suspense remains until I actually get the film processed.

Over the last year I’ve put up 193 photos taken with this camera on my Flickr photostream, about 76% of all my uploaded photos for 2007. That’s not an immense number and probably would’ve been even smaller had I not made the trips to Burning Man and to India. I put up 481 photos in 2006 and 807 photos in 2005. I think the trend is down because the cost of using film has made me frugal.

I like using film because of the texture that it imparts to a photograph. I haven’t experimented a whole lot with different films, and settled quite early with Tri-X. Most of the time I push it to ISO 1600 and gives me just the right kind of contrast I like. It also helps to push the film in Portland, since most days are overcast and higher ISO films cost more Having said that, more and more manufacturers of are moving out of the 35mm film market. That trend has me thinking of digital rangefinders for the future. We’ll see how that goes.

I think I’ve spent enough time with the 50mm lens to now explore more primes. I would prefer to go wider, as that’s what I find lacking sometimes when I frame a shot. Also, I think it would help me get closer while out on the street. So, sometime this year, I’ll get a 35mm M mount lens, hopefully a Leica one. After all, that was the plan

Here are my “favorite” photos from this year. I still have to develop two rolls, so maybe I’ll add more later

And here’s one that just spooked me out!

Russ wanted to recreate the cover of The Beatles’ Abbey Road album cover along with his wife, Patty and son, Riley. He planned the shot and scouted for locations, narrowing them down to two. So, on a Sunday morning we went out to take the shot. We were a bit early for the chosen locations. The light wasn’t right. After a brief time looking around, we decided to go get breakfast and then return to take the shots.

On our way to LaurelThirst, we spotted an intersection on Stark Street and as fate would have it, it was better than the others and just right for the shot. Russ parked his Bug on the wrong side of the road and we started taking shots. They walked through the intersection once and I took some sample shots. After correcting their spacing and rhythm, I took shots of a few more passes with digital and film cameras. About fifteen minutes later, accomodating for light traffic, we were done and headed for a tasty breakfast. I had never tried to recreate a photo before. This was fun, and hopefully I’ll do more in the future. We left out some details, like Paul’s cigarette, Ringo, etc.

After going through the photos, Russ and family selected this shot as their favorite. Click on the image to see the larger version on flickr. There you will also find a link to the exact location on a map.

• It's a little bizzare to see the lens through the viewfinder, but I got over that pretty soon.
• It is well known that rangefinders are quiet because they don't have a moving mirror. Even so, I was surprised by the quietness of the mechanism.
• The shutter priority operation threw me off for a while because I'm used to shooting with aperture priority. It makes me think in terms of time, while I'm used to thinking in terms of depth of field, or rather not thinking much in terms of either by setting the parameters once and not messing with it unless really needed.

The hardest thing to do was the focusing. The viewfinder has a very small area to check the focus accurately, and its not something I could manage to do quickly. I found myself pre-focusing most of the time by reading the distance marking on the lens. So, I used the viewfinder only for framing, just before taking the picture. I like the speed of such operation, but have been reluctant to do pre-focusing before now. This camera kinda forced it upon me and I'll try to do it more often. I think it is a good skill to have for street photography, especially when using a manual focus mechanism. There is usually no time to focus.

It's been raining again for the last week, so I haven't had any chance to shoot more with this camera. Hopefully things will clear up next week!

Camera: Nikon D70s. Software: iMovie.

Kent publishes a video and audio podcast of interesting Photoshop techniques and tutorials every week. It’s quality stuff and I recommend checking it out at that site after casting your vote.

I deliberately chose one B&W and one color photo. I like working with both. The B&W shot is film and the colored one is digital. Interestingly, both were very quick shots, about ten seconds from identifying to clicking. Both were taken on a street, first one in Portland and the second one in Seattle. I like taking pictures on the street and that is where I focus my efforts, even though these photos don’t present the flavor of street photography that I like. In that regard, I particularly admire the work of Garry Winogrand.